As with the old film darkroom, taking a picture is only part of the process – you also need to know how to edit images to get the most from them in the ‘digital darkroom.’ Here are some of the more common errors to watch […]
The 10 Steps Every HDR Photographer Goes Through
Step 10: Ok. Don’t Screw HDR. It’s Just A Tool And I Will Use It As Needed. HDR is still pretty awesome.
This is the final stage for most photographers that pursue HDR and the one I feel I am currently in. Not every image needs HDR processing. Sometimes blown highlights or clipped shadows can actually enhance a scene rather than take away from it. Sometimes these things add mystery to a photo and who was it that said, “A photo should tell just enough of a story to leave the viewer thinking.” When you tell the whole story, nothing is left for the viewer. Yes, not every image needs to run through Photomatix but guess what: Some scenes really can’t be captured in just one frame and sometimes you really do need to capture all that beautiful light and bring it into one, final image. When that happens, we should embrace HDR as the tool it is. Capture that light in however many exposures you need and go about combining those exposures by whatever means you feel necessary. After all, your photography should be about one thing: Making you happy. If someone else doesn’t like it, screw them. You don’t create images to please other people and if you do then you’re not in it for the right reasons (well, unless you shoot exclusively for clients). We need to stop viewing HDR as a style and start seeing it as a tool. Something that we can pull out of our bag of tricks when we need it to create a better image than we otherwise would be able to. And there is nothing wrong with that in my book.
6. Practice With HDR What is HDR? It’s short for High Dynamic Range photography, and it’s all the rage. I have a tutorial on HDR on my blog. But here, I’ll explain HDR in a circuitous but meaningful way. About 80% of my photos are in […]
In many cases the difference between the brightest and darkest areas of a scene is simply too great to capture in a single image, due to the inherent limitations of cameras. However, you can overcome those limitations through the use of high dynamic range (HDR) […]
Applied with care, High Dynamic Range technique (HDR) can create amazingly beautiful photos which blur our sense of difference between reality and illusion. The intention is to properly represent a wide range of intensity levels found on real scenes, ranging from deepest shadows to direct […]
After many years as a keen amateur photographer, I decided to start a small landscape photography business called Lakescenes which I ran alongside my main job as an IT Manager. As business increased, I found myself working long, but rewarding, hours just to keep up […]
Rob Sheppard is a naturalist, nature photographer and videographer who says his favorite location is the one he is in at any time. He is the author/photographer of over 40 books, as well as a well-known speaker and workshop leader, and a Fellow with the […]
Gary Hart has photographed California’s natural beauty for over 30 years. Gary’s photos and writing have appeared in many publications, most recently Outdoor Photographer and Sierra Heritage magazines. You’ll also find his images in greeting cards, postcards, calendars, and many galleries and private collections throughout the world.
Originally from Poland, based in London UK, Jaroslav has background in Fine Arts, degree in Architecture, and wide array of experience. Being an Architect taught him how to be resourceful and to solve complex problems with simple, yet innovative solutions. Constant passion for graphic & […]
Use a wide-angle lens to add some humor to your images. Superwide-angle lenses practically force you to create wacky images, simply by letting you cram so many elements into the picture. It can be a blast to use them to distort perspective. But there are […]
We asked portraits pros to share their best tactics for framing up a subject. Many decisions go into shooting a single portrait. Often, as we chat with our subjects, we’re not even aware that we’re making choices about framing, subject distance and position, color palette, […]