Contrast is usually at its highest when a scene is backlit. In this image there wasn’t much that could be done to lighten the shadows. I exposed so that the highlights weren’t too badly burnt out and didn’t worry too much about the shadows. Contrast […]
The 10 Steps Every HDR Photographer Goes Through
Step 4: I Am Clearly An Authority On HDR. The World Should Know.
Once your amateurish style is solidified you will begin wanting to teach others what you know. How about a screen cast revealing your HDR secrets? Or an in-depth HDR tutorial right on the front page of your website? And hey, if you go that far why not hold an HDR seminar in your home town? These are all common sense ideas and must be implemented. You’re really on the fast track now.
Step 5: The Discovery Of Halo’s, Toxic Greens, Psychedelic Skies and Zombies
Everything is going great in your life. You’ve become somewhat of an authority on HDR in your community (at least in your opinion) and you really feel like you’ve nailed this whole process of HDR. Then…one day…you look at one of your images in a new light. And that new light reveals at least a few of the terrible flaws in your images. You start seeing the halo’s around that building against the cloudless sky. Is it really that obvious? Do other people notice this as well or am I over-reacting? Wait…are my red channels blown? Why does the foliage in this forrest scene all of the sudden look like a toxic waste dump? What’s with these muddy whites? You mean that in order to create an unclipped histogram Photomatix simply turned my blown highlights to a murky, grayish color? What just happened? My whole life is a lie!
When this happens, don’t panic. The first step to recovery is always admitting you have a problem. So check your pride at the door and start moving forward. There is light at the end of this tunnel, and there’s no need to process it into oblivion.
Applied with care, High Dynamic Range technique (HDR) can create amazingly beautiful photos which blur our sense of difference between reality and illusion. The intention is to properly represent a wide range of intensity levels found on real scenes, ranging from deepest shadows to direct […]
A camera does not work like an eye; film does not work like memory. There is a fine line between a photo that is quite nice and one that is quite breathtaking. At some unknown point, a photo can cross the Rubicon and be forever […]
In many cases the difference between the brightest and darkest areas of a scene is simply too great to capture in a single image, due to the inherent limitations of cameras. However, you can overcome those limitations through the use of high dynamic range (HDR) […]
After many years as a keen amateur photographer, I decided to start a small landscape photography business called Lakescenes which I ran alongside my main job as an IT Manager. As business increased, I found myself working long, but rewarding, hours just to keep up […]
Rob Sheppard is a naturalist, nature photographer and videographer who says his favorite location is the one he is in at any time. He is the author/photographer of over 40 books, as well as a well-known speaker and workshop leader, and a Fellow with the […]
Gary Hart has photographed California’s natural beauty for over 30 years. Gary’s photos and writing have appeared in many publications, most recently Outdoor Photographer and Sierra Heritage magazines. You’ll also find his images in greeting cards, postcards, calendars, and many galleries and private collections throughout the world.
Originally from Poland, based in London UK, Jaroslav has background in Fine Arts, degree in Architecture, and wide array of experience. Being an Architect taught him how to be resourceful and to solve complex problems with simple, yet innovative solutions. Constant passion for graphic & […]
Next time you’re in the countryside at night do yourself a favour: look up. If it’s clear and conditions are right you’ll see a seemingly infinite number of stars twinkling like diamonds on a sheet of black velvet. As a visual pleasure it’s hard to […]
Colour can be distracting. Stripped of colour an image is entirely about the subject (unless of course the entire point of the subject is its colour…). This is particularly true of portraiture. Black and white arguably conveys the inner soul of the subject more powerfully […]