Contrast is usually at its highest when a scene is backlit. In this image there wasn’t much that could be done to lighten the shadows. I exposed so that the highlights weren’t too badly burnt out and didn’t worry too much about the shadows. Contrast […]
Paris – by the Seine
There are beautiful little boxes all along the Seine where they sell books and manuscripts and old post cards. A sunny Autumn afternoon is just the place to stroll and find some “must have” item.
This photo underwent radical surgery. It is two photos blended together using Photoshop CS3′s new Auto Align layers and Auto blend layers tools. To do this, add one image’s background layer to the other. Select both layers and you’ll find the commands on the Edit menu. I did Auto align first. You might want to experiment with which layer you use as your topmost layer as the results differ. Then I did Auto Blend which makes a mask on each layer to bring in the bits it thinks you want from each layer. Remember you can click a mask to select it and then paint with white or black as required to reveal or hide detail on that layer – I did this as I wanted the guy in the image but needed to remove the other people who were in the originals.
Then I made a composite merged layer with my fave command CONTROL + ALT + SHIFT + E (Command + Option + Shift + E on the Mac). This gave me an image to work on the colors with. I’ll talk more about how to do that in another post.
Finally, to bring the attention to the bottom of the image (rather than the top), I created yet another merged layer, duplicated this and blurred the topmost layer. On the top layer I added a mask and a gradient fill using the Foreground to Background gradient. This resulted in the top of the image being nicely blurred and leaving the bottom in focus. I also picked out the tree and added it to the mask so it would be more in focus as it’s in the front of the image.
Finally, I added the small black border which defines the edge of the photo. To do this, choose Select, All and then Edit, Stroke and add a small 2 pixel black stroke around the Inside of the image. Add the white photo edge, the text and another small black border around the lot.
Sounds like a lot of work but once you’ve done it a few times it all happens pretty quickly. The worst part was the color correction as it is a bit fiddly.
I was looking for an image to put on a t-shirt for a friend for Christmas. Let’s say, he’s a bit out there and pretty just won’t cut it. I had two good photos of this graffiti covered wall so the Photoshop Automate > Photomerge […]
Ok, this post is Color that Rocks not Color that Pops.. I am really really sick of hearing the word POPS, it is officially Over, Out, Done, Finished – Gone! I have to hold myself back from screaming “No! No! No! can’t you find another […]
After many years as a keen amateur photographer, I decided to start a small landscape photography business called Lakescenes which I ran alongside my main job as an IT Manager. As business increased, I found myself working long, but rewarding, hours just to keep up […]
Rob Sheppard is a naturalist, nature photographer and videographer who says his favorite location is the one he is in at any time. He is the author/photographer of over 40 books, as well as a well-known speaker and workshop leader, and a Fellow with the […]
Gary Hart has photographed California’s natural beauty for over 30 years. Gary’s photos and writing have appeared in many publications, most recently Outdoor Photographer and Sierra Heritage magazines. You’ll also find his images in greeting cards, postcards, calendars, and many galleries and private collections throughout the world.
Originally from Poland, based in London UK, Jaroslav has background in Fine Arts, degree in Architecture, and wide array of experience. Being an Architect taught him how to be resourceful and to solve complex problems with simple, yet innovative solutions. Constant passion for graphic & […]
Next time you’re in the countryside at night do yourself a favour: look up. If it’s clear and conditions are right you’ll see a seemingly infinite number of stars twinkling like diamonds on a sheet of black velvet. As a visual pleasure it’s hard to […]
Colour can be distracting. Stripped of colour an image is entirely about the subject (unless of course the entire point of the subject is its colour…). This is particularly true of portraiture. Black and white arguably conveys the inner soul of the subject more powerfully […]