Contrast is usually at its highest when a scene is backlit. In this image there wasn’t much that could be done to lighten the shadows. I exposed so that the highlights weren’t too badly burnt out and didn’t worry too much about the shadows. Contrast […]
Low Key Portrait Lighting Tutorial
What is low key lighting? According to Wikipedia, it attempts to create a chiaroscuro effect. In traditional photographic lighting, three-point lighting uses a key light, a fill light, and a back light for even illumination. Low-key lighting requires only one key light, optionally controlled with a fill light or a simple reflector. This type of setup is usually shot against a dark background.
The image above of my oldest daughter was taken using a single light inside a very large soft box that was positioned directly to one side and approximately 2 feet away from her.
Generally speaking, this is a less ‘forgiving’ lighting setup than other options in two different ways.
- The lighting zone is much more narrow than high key lighting, meaning the subject has to be more carefully placed in relation to the light. This would NOT be the lighting setup of choice for a busy two-year old (unless you have a trick or two up your sleeve, like my super secret weapon MR. SMILEY FACE).
- Severe side lighting will highlight any natural flaws in the skin.
Therefore, this is lighting best reserved for the very young, those with flawless skin or ruggedly good looking men where you want to emphasize their facial ‘character’.
However, that last drawback can be overcome if:
- you simply back farther away from your subject, shooting full body, rather than tight facial close-ups and you
- angle the light more towards the front of the subject and use a reflector directly opposite it (see diagram below), which is not only more flattering, but allows light to spill onto the background, providing a level of separation between subject and background.
This image is a good example of the natural drama of this type of lighting and the unexpected scenarios you can use it in.
I used one light and a reflector on an arm and stand for the shot above. The key light was placed to one side and slightly in front of the subjects. The reflector was positioned on the opposite side to bounce light back onto the subjects. Whereas the first photograph of my daughter was against seamless black paper, this one was shot against a dark cloth backdrop. The side lighting emphasizes the texture in the background to nice effect. If I had not used a reflector opposite the key light, the young man’s face would have been completely in dark shadow with no visible expression.
Best results with this lighting setup are achieved with the use of a soft box. The larger the soft box, the more ‘window-like’ the lighting will be. In another post I will illustrate this lighting technique using natural window lighting, which, while it requires NO lights, does require knowledge of how to get a properly exposed image.
There are no fixed rules in photography, but there are guidelines which can often help you to enhance the impact of your photos. It may sound clichéd, but the only rule in photography is that there are no rules. However, there are are number of […]
Ever wonder what it is that actually makes a camera work? This tutorial will cover the inner workings of a camera, and introduce you into photography basics and the expansive world of taking better photographs. To take beautiful photographs you do not need an expensive […]
You’ve done it. Looked at another photographer’s Instagram, website, Facebook, or Twitter and seen their huge following, beautiful photographs, the brands and art directors they have worked with, and delicious dinners; and it hurt your heart a little bit. Maybe you even thought they weren’t […]
After many years as a keen amateur photographer, I decided to start a small landscape photography business called Lakescenes which I ran alongside my main job as an IT Manager. As business increased, I found myself working long, but rewarding, hours just to keep up […]
Rob Sheppard is a naturalist, nature photographer and videographer who says his favorite location is the one he is in at any time. He is the author/photographer of over 40 books, as well as a well-known speaker and workshop leader, and a Fellow with the […]
Gary Hart has photographed California’s natural beauty for over 30 years. Gary’s photos and writing have appeared in many publications, most recently Outdoor Photographer and Sierra Heritage magazines. You’ll also find his images in greeting cards, postcards, calendars, and many galleries and private collections throughout the world.
Originally from Poland, based in London UK, Jaroslav has background in Fine Arts, degree in Architecture, and wide array of experience. Being an Architect taught him how to be resourceful and to solve complex problems with simple, yet innovative solutions. Constant passion for graphic & […]
Next time you’re in the countryside at night do yourself a favour: look up. If it’s clear and conditions are right you’ll see a seemingly infinite number of stars twinkling like diamonds on a sheet of black velvet. As a visual pleasure it’s hard to […]
Colour can be distracting. Stripped of colour an image is entirely about the subject (unless of course the entire point of the subject is its colour…). This is particularly true of portraiture. Black and white arguably conveys the inner soul of the subject more powerfully […]