Create a Faux Fisheye image effect in Photoshop

A fisheye lens is a wide angle lens which captures a lot of detail both in front of you and to the side – often as much as a 180 degree radius. While other wide angle lenses capture rectangular photos, a fisheye captures images which are distorted and which bulge in the middle and curve in at the edges.

While there is no real replacement for capturing an image using a fish eye lens on your camera because the field of vision is hard to duplicate you can still create a realistic faux fisheye effect in Photoshop.

Fisheye step 1

Open the image in Photoshop and enlarge the canvas. To do this, drag the edges of the window containing the image so you can see plenty of the grey space around the image and click the Crop tool. Drag over the entire image to select it and let go the mouse button. Now drag outwards on the crop rectangle handles to select an enlarged area all the way around the image. You want a good amount of extra canvas. When you have done this double click to add the extra area to the image. It doesn’t matter what colour this is as you’re going to discard it later.

Fisheye step 2

Choose Filter > Distort > Spherize to display the Spherize dialog. Set the Mode to Normal and set the Size to 100 percent and click Ok. This distorts the image by blowing up the middle of it to give a typical fisheye type effect.

Fisheye step 3

Click the Crop tool, drag over an area of the image to retain and double click to crop to this size.

Fisheye step 4

If necessary, clone areas of sky or other elements to fill the photo frame. Here I cropped the image so it would be nice and tall and knowing there was a little bit of work required to fill the missing areas of the sky.

Alternately, for a circular result, drag a circular selection across the image, choose Select > Inverse and choose Edit > Crop to Selection. You will now have a photograph which looks like it was captured using a fisheye lens.

Before you shoot (if you can!)
If you know you want to create a faux fisheye effect with the images you are capturing, then plan ahead and capture a 2 row by 3 column grid of images from a stationary point using a tripod and the widest angle that your lens can shoot at – in other words, don’t zoom in at all. Overlap the images around 25% on the edges so you can assemble them into a panorama later on.

Back in Photoshop or your software, assemble the images into a panorama. You may need to do this in three steps first assembling each row into a panorama and then assembling the two rows into a single image. This will give you more image data than you would typically have and will make the final result more believable.


Helen Bradley

I am an expatriate Australian lifestyle writer, videographer and photographer. I write tutorials and produce videos on Photoshop, Lightroom and Illustrator as well as photography, office computer applications and DIY crafts. I have written for most of the big names in consumer tech including PC World, PC […]

Topic Filter: Commercial / Landscape / Portrait / Stock / What's Hot


Martin Lawrence

After many years as a keen amateur photographer, I decided to start a small landscape photography business called Lakescenes which I ran alongside my main job as an IT Manager. As business increased, I found myself working long, but rewarding, hours just to keep up […]

Read More

Rob Sheppard

Rob Sheppard is a naturalist, nature photographer and videographer who says his favorite location is the one he is in at any time. He is the author/photographer of over 40 books, as well as a well-known speaker and workshop leader, and a Fellow with the […]

Read More

Gary Hart

Gary Hart has photographed California’s natural beauty for over 30 years. Gary’s photos and writing have appeared in many publications, most recently Outdoor Photographer and Sierra Heritage magazines. You’ll also find his images in greeting cards, postcards, calendars, and many galleries and private collections throughout the world.

Read More

Jaroslav Wieczorkiewicz

Originally from Poland, based in London UK, Jaroslav has background in Fine Arts, degree in Architecture, and wide array of experience. Being an Architect taught him how to be resourceful and to solve complex problems with simple, yet innovative solutions. Constant passion for graphic & […]

Read More

What's Hot

How-To: Photograph Grizzly Bears Without Getting Mauled

Tom Mangelsen has photographed wildlife from hummingbirds to elephants, but he has a special soft spot for bears. And he’s particularly fond of the grizzlies that roam Grand Teton National Park near his home in Jackson Hole, Wyoming. “The more I see bears, the more […]

Read More

Lighting Tip: Faking a Rainstorm

Stephen Carroll, a freelance photographer from Reston, Virginia, specializes in artwork for book covers, with more than 400 (mostly novels) to his credit. They’re not just any book covers, though. His genius lies in creating film noir-like scenes, complete with desperate lovers, soaked T-shirts, smoking […]

Read More

How to Shoot Strangers Without Being Arrested!

I’m in a mild state of shock today. I’ve recently read Watching the English by Kate Fox and discovered things about myself that I was better off not knowing. If you’ve not read the book it can be neatly summarised by the following: in terms […]

Read More