I like to see lovely saturated color in my photos but sometimes the color I capture just doesn’t do justice to the subject and it isn’t what I remember the scene looked like. Boosting the color can turn a lackluster image into one that totally […]
10 Easy Steps To Advanced Photography Skills
5. Admire Impressionism
I spoke earlier about the Salon of Paris and what happened during the Impressionist movement. While the process and examples of what happens when artists start cooperating and competing is interesting from a social-group evolutionary perspective, this section is more about the art itself.
Early critics of the art form found it crude, sloppy and unconventional, to the point that they felt it didn’t even deserve to be placed alongside the classic masters. But the public was awestruck by the new art form. It doesn’t take a critic to know good art, but it does take a careful and discerning eye.
Consider the colors and styles of Degas, Cézanne, Monet and Renoir. There is not a single detail about any well-known Impressionist painting that is the slightest bit “realistic.” But yet, the rough shapes and colors still make sense. Something about it just feels right. What is that something?
To me, what feels right about Impressionism is what we discussed above. TheseImpressionist images go deep into viewers’ brains and evoke memories of shared scenes and events. The memory is in fact an Impressionist playground of fleeting colors, shapes and edges. A face here, a blur there, a hint of something almost there, but not quite.
Look at Monet’s work. Think about how the yellows of a sun in the distance is the same yellow as an up-close flower. But something about the colors makes the sun feel brighter than the flower. How does he do that? Can you get closer to achieving this with your photography?
As you look at Impressionist paintings, juxtapose them with your own photography. If you want to evoke the same sort of feelings, then consider how it was done without resorting to realism.
Step 8: Realization That Photoshop > Photomatix Photoshop is by far the most incredible and powerful tool for editing your photos. Photomatix is not. That’s not to say that Photomatix isn’t an incredible program that does incredible things, but one should never use Photomatix to […]
Twice a month we revisit some of our reader favorite posts from throughout the history of Phototuts+. This tutorial was first published in October, 2009. The most common complaints I hear from most photographers of any experience level is “my images aren’t sharp”, and “I […]
In our ongoing Shoot Like A Pro series we teamed up with our sister title, the Nikon magazine N-Photo, to explore the many different ways you can sell photos online, in print, and elsewhere in ways you might not have considered before. This week we […]
After many years as a keen amateur photographer, I decided to start a small landscape photography business called Lakescenes which I ran alongside my main job as an IT Manager. As business increased, I found myself working long, but rewarding, hours just to keep up […]
Rob Sheppard is a naturalist, nature photographer and videographer who says his favorite location is the one he is in at any time. He is the author/photographer of over 40 books, as well as a well-known speaker and workshop leader, and a Fellow with the […]
Gary Hart has photographed California’s natural beauty for over 30 years. Gary’s photos and writing have appeared in many publications, most recently Outdoor Photographer and Sierra Heritage magazines. You’ll also find his images in greeting cards, postcards, calendars, and many galleries and private collections throughout the world.
Originally from Poland, based in London UK, Jaroslav has background in Fine Arts, degree in Architecture, and wide array of experience. Being an Architect taught him how to be resourceful and to solve complex problems with simple, yet innovative solutions. Constant passion for graphic & […]
We asked portraits pros to share their best tactics for framing up a subject. Many decisions go into shooting a single portrait. Often, as we chat with our subjects, we’re not even aware that we’re making choices about framing, subject distance and position, color palette, […]
Getting low and tilting your camera up can help too. One of photography’s most honored axioms states: If your picture stinks, get closer. And while this makes for a trusty guide for improving a shot, getting close is only half the story. Getting low and […]